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Collins, Nicolas: Handmade Electronic Music
40,49 € *
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Erscheinungsdatum: 30.06.2020, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Handmade Electronic Music, Titelzusatz: The Art of Hardware Hacking, Auflage: 3. Auflage von 1920 // 3rd edition, Autor: Collins, Nicolas, Illustrator: Lonergan, Simon, Verlag: Taylor & Francis Ltd., Sprache: Englisch, Schlagworte: Datenverarbeitung // Anwendungen // Technik // Musikerziehung // Musikunterricht // Instrumentenunterricht // MUSIC // Musical Instruments // General // Audiosignalverarbeitung // Musik: Musizieren // Techniken // Anleitungen, Rubrik: Musik // Allg. Handbücher, Lexika, Seiten: 434, Abbildungen: 256 black & white halftones, 114 black & white line drawings, Gewicht: 840 gr, Verkäufer: averdo

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Stand: 30.10.2020
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The Cambridge Companion to Electronic Music
40,19 € *
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Erscheinungsdatum: 06.03.2019, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: The Cambridge Companion to Electronic Music, Redaktion: Collins, Nick // D'Escrivan, Julio, Verlag: Cambridge University Press, Sprache: Englisch, Schlagworte: Englische Bücher // Musik // Elektronik // Computer // Handbuch // Lexikon // Führer // MUSIC // General, Rubrik: Instrumentenkunde, Seiten: 358, Informationen: Paperback, Gewicht: 618 gr, Verkäufer: averdo

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Stand: 30.10.2020
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Collins:Electronic Music
29,39 € *
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Erscheinungsdatum: 29.11.2016, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Electronic Music, Autor: Collins, Nick // Schedel, Margaret // Wilson, Scott, Verlag: Cambridge University Press, Sprache: Englisch, Schlagworte: Musik // Elektronik // Computer, Rubrik: Musiktheorie // Musiklehre, Seiten: 242, Informationen: Paperback, Gewicht: 425 gr, Verkäufer: averdo

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Stand: 30.10.2020
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Wes Boatman
34,00 € *
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High Quality Content by WIKIPEDIA articles! Wes Boatman is an American television composer. Boatman became interested in music at the age of six, and began playing such instruments as pianos and keyboards. During his adult years, he received a B.F.A. in Film and Electronic Music from the College Conservatory of Music at the University of Cincinnati. He has performed with artists such as Bootsy Collins, George Clinton, and Midnight Star, on four Platinum and five Gold Records. He also toured with them around the world. Boatman currently resides in Los Angeles, California, where he is writing and composing partners with John Henry Kreitler. Won, 1992, Outstanding Achievement in Music Direction and Composition for: "The Guiding Light" (shared with Barbara Miller-Gidaly, A.J. Gundell, Barry De Vorzon, Richard Hazard, John Henry Kreitler, Theodore Irwin, and Michael Licari).

Anbieter: Dodax
Stand: 30.10.2020
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Electric Eden
18,90 CHF *
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Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion´s soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the ´Britishness´ of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain´s folk music and Arcadian dreams.

Anbieter: Orell Fuessli CH
Stand: 30.10.2020
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Noise in and as Music
47,90 CHF *
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One hundred years after Luigi Russolos The Art of Noises, this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The books focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material -- as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pámies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question interview -- what is noise (music) to you? and why do you make it? -- by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay.

Anbieter: Orell Fuessli CH
Stand: 30.10.2020
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Noise in and as Music
34,99 € *
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One hundred years after Luigi Russolos The Art of Noises, this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The books focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material -- as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pámies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question interview -- what is noise (music) to you? and why do you make it? -- by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay.

Anbieter: Thalia AT
Stand: 30.10.2020
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