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St John, Graham: Technomad
41,99 € *
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Erscheinungsdatum: 22.12.2009, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Technomad, Titelzusatz: Global Raving Countercultures, Autor: St John, Graham, Verlag: Equinox Publishing Ltd, Sprache: Englisch, Schlagworte: MUSIC // Genres & Styles // Electronic // Elektronische Musikinstrumente, Rubrik: Musik // Allg. Handbücher, Lexika, Seiten: 328, Informationen: Paperback, Gewicht: 500 gr, Verkäufer: averdo

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Stand: 11.07.2020
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Halloween OST 'Bloody Knife' Colour LP
30,99 € *
zzgl. 1,49 € Versand

When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. Pressed on ‘Bloody Knife’ Coloured Vinyl.

Anbieter: Zavvi
Stand: 11.07.2020
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Halloween OST Orange and Black Starburst Colour LP
22,99 € *
zzgl. 1,49 € Versand

When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. Pressed on Orange and Black Starburst Coloured Vinyl.

Anbieter: Zavvi
Stand: 11.07.2020
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Death Waltz The Lost Empire Soundtrack LP
28,99 € *
zzgl. 1,49 € Versand

Death Waltz Recording Company present one of the coolest electronic scores of the 80s on vinyl for the first time ever, with Alan Howarth's music for the 1983 Jim Wynorski classic 'The Lost Empire'. A thrilling adventure that spans multiple countries that pits a trio of ass-kicking ladies against a mysterious villain and his plan to create an army of female terrorists from his remote island, the film stars cult actress Raven De La Croix (Russ Meyer's UP!) and the late, great Angus Scrimm (Phantasm). Howarth's score is what you'd expect from his revered work with John Carpenter on movies like ‘Big Trouble in Little China' and 'Prince of Darkness' full of expansive colours and incessantly memorable synth hooks, with the main theme juxtaposing ghostly effects against a thumping beat that leads into an amazing high keyboard melody that features throughout the score. Howarth mixes different elements the effortlessly cool tune for LAPD hero Angel Wolfe, the mysterious and dangerous theme for awesome Native American Whitestar, and the Eastern flavours representing the evil of Dr Sin Do and his island of terror. There's no 'in association with' here - 'The Lost Empire' is pure Alan Howarth, and it's badass to the 9th degree. Artwork by Rockin Jelly Bean.

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Stand: 11.07.2020
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Halloween OST LP
30,99 € *
zzgl. 1,49 € Versand

Halloween Original Soundtrack - John Carpenter - When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green's film, it's familiar 5/4 refrain stabbing through the soundtrack like the Shape's knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter's famously shoestring original, it's musical spirit was preserved. We wanted to honor the original Halloween soundtrack in terms of the sounds we used, Davies explained. We used a lot of the Dave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Unlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands. Being limited by the length of time in scoring the sequence, we focused on the director's tempo, timing, and vision, Davies said. He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It's only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything. For John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn't composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars. It was great, Carpenter said of the experience. It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green's vision. For Cody Carpenter, John's son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around. It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about, Davies said. Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience.

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Stand: 11.07.2020
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Bloody Terror: The Shocking Cinema of Norman J ...
51,99 € *
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One of British genre cinema’s most important and distinctive independent filmmakers, Norman J Warren made a series of horror films which were at the forefront of a new wave in British horror during the 1970s. Reflecting a period of permissiveness and fearlessness, Warren’s distinctive stylings are far removed from the Gothic conventions of Hammer Films, deliberately upped the ante in terms of sex, violence and gore to create a new breed of horror that was designed to shock for shock’s sake. Five of Norman J Warren’s horrifying chillers are presented here in new restorations and on Blu-ray for the very first time in the UK. Containing a wealth of new and archival extras – including new appreciations by contemporary British filmmakers, new cast and crew interviews, audio commentaries on all five films, rare short films, outtakes and alternative scenes, and making-of documentaries – this stunning Limited Edition box set from Indicator is strictly limited to 6,000 units. Extras: New 2K restorations of all five films, approved by director Norman J Warren Original mono audio The BEHP Interview with Norman J Warren (2018): an archival video recording, made as part of the British Entertainment History Project, featuring the prolific filmmaker in conversation with Martin Sheffield Satan’s Slave audio commentary with director Norman J Warren and screenwriter David McGillivray, and a second commentary with Warren and composer John Scott Prey audio commentary with Norman J Warren and author Jonathan Rigby Terror audio commentary with Norman J Warren and screenwriter David McGillivray Inseminoid audio commentary with Norman J Warren and assistant director Gary White Bloody New Year audio commentary with Norman J Warren and film critic Josephine Botting All You Need Is Blood (1976): a vintage ‘making of’ documentary for Satan’s Slave, presented in High Definition for the first time Creating Satan (2004): an archival documentary on the making of Satan’s Slave featuring interviews with Warren, David McGillivray, actor Martin Potter, and others Devilish Music (2004): an archival interview with composer John Scott Satan’s Slave alternative scenes Keep on Running (2004): an archival documentary on the making of Prey featuring interviews with Warren, actor Sally Faulkner, producer Terry Marcel, and others Prey: On Set with Norman J Warren (1977): location footage with new Norman J Warren commentary Bloody Good Fun (2004): an archival documentary on the making of Terror featuring interviews with Warren, actors Carolyn Courage, Mary Maude, James Aubrey and Elaine Ives-Cameron, writer David McGillivray, and others Interview with John Nolan (2019): the Terror actor recalls making the film Terror deleted scene Subterranean Universe (2004): an archival documentary on the making of Inseminoid featuring interviews with Warren, actors Stephanie Beacham, David Baxt and Barry Houghton, and others Interview with Trevor Thomas (2019): a new interview with the Inseminoid actor Inseminoid Girl (2004): an archival interview with actor Judy Geeson Electronic Approach (2004): an archival interview with Inseminoid composer John Scott Interview with Catherine Roman (2019): the Bloody New Year actor recalls making the film Interview with Steve Emerson (2019): the actor and stunt coordinator discusses working on Terror and Bloody New Year Norman J Warren: A Sort of Autobiography (2004): an archival career-encompassing interview The Bridge (1955-57): surviving footage of an early short film directed by Warren, about a pilot on a mission to locate a bridge in Germany during World War II The Making of ‘The Bridge’: rare and unseen behind-the-scenes footage with commentary by Warren Carol (1962): pilot tests for Warren’s unrealised feature film about teenage pregnancy and backstreet abortion, with Georgina Hale and Michael Craze Drinkin’ Time (1963): a comic silent short directed by Warren Turn Off Your Bloody Phone: Norman J Warren and the Ghost (2013): horror short produced for FrightFest, starring Warren, David McGillivray, and Yixi Sun Interview with Yixi Sun (2019): an interview with the filmmaker and Warren collaborator Trailers and TV Spots Image galleries: promotional and publicity material New English subtitles for the deaf and hard-of-hearing Limited edition exclusive 120-page book with a new essay by Adrian Smith, archival interviews, articles and on-set reports, an overview of contemporary critical responses, and film credits and more World and UK premieres on Blu-ray Limited Edition of 6,000 copies All extras subject to change

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Stand: 11.07.2020
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Live Electronics im / in the SWR Experimentalst...
34,00 € *
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Zwei zentrale Ereignisse haben die Musikgeschichte bedeutend geprägt: die Erfindung der Notation und die Entwicklung der elektronischen Musik. Mit Beginn dieser wurden neue Musikinstrumente wie das Theremin, die E-Gitarre und der Synthesizer kreiert. Durch die Digitalisierung ist auch der Computer zum Musikinstrument geworden, und die Erfindung der Live-Elektronik verlieh auch tradierten Instrumenten wie Geige oder Klavier neue elektronischeFlügel. Das Freiburger SWR Experimentalstudio hat diese Entwicklung entscheidend geprägt, da in diesem Karlheinz Stockhausen, Pierre Boulez, John Cage und Luigi Nono Meilensteine der Musikgeschichte komponiert haben. Heute schreiben unter anderen Mark Andre, Georg Friedrich Haas und ChayaCzernowin diese bald 50 Jahre währende Entwicklungsgeschichte weiter.Das Experimentalstudio gilt als einer der innovativsten wie erfolgreichsten Klangkörper der aktuellen Musik.Two events in music history had revolutionary consequences: the creation of notation and the invention of electronic sound. The initial stages of electronicmusic brought about new musical instruments like the theremin, the electric guitar and the synthesizer. In the digital age, the computer has itself become a musical instrument, with the invention of live electronics providing traditional instruments, such as the violin or piano, with new, unimagined sonic possibilities. The SWR Experimentalstudio in Freiburg, Germany, has been a primary catalyst in the development of live-electronic music, enabling influential composers such as Karlheinz Stockhausen, Pierre Boulez, John Cage, Luigi Nono, Mark Andre, Georg Friedrich Haas and Chaya Czernowin to create milestones of music history. Today, almost 50 years after its founding, the SWR Experimentalstudio remains a world leader in music technology research and contemporary music creation.

Anbieter: buecher
Stand: 11.07.2020
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Live Electronics im / in the SWR Experimentalst...
35,00 € *
ggf. zzgl. Versand

Zwei zentrale Ereignisse haben die Musikgeschichte bedeutend geprägt: die Erfindung der Notation und die Entwicklung der elektronischen Musik. Mit Beginn dieser wurden neue Musikinstrumente wie das Theremin, die E-Gitarre und der Synthesizer kreiert. Durch die Digitalisierung ist auch der Computer zum Musikinstrument geworden, und die Erfindung der Live-Elektronik verlieh auch tradierten Instrumenten wie Geige oder Klavier neue elektronischeFlügel. Das Freiburger SWR Experimentalstudio hat diese Entwicklung entscheidend geprägt, da in diesem Karlheinz Stockhausen, Pierre Boulez, John Cage und Luigi Nono Meilensteine der Musikgeschichte komponiert haben. Heute schreiben unter anderen Mark Andre, Georg Friedrich Haas und ChayaCzernowin diese bald 50 Jahre währende Entwicklungsgeschichte weiter.Das Experimentalstudio gilt als einer der innovativsten wie erfolgreichsten Klangkörper der aktuellen Musik.Two events in music history had revolutionary consequences: the creation of notation and the invention of electronic sound. The initial stages of electronicmusic brought about new musical instruments like the theremin, the electric guitar and the synthesizer. In the digital age, the computer has itself become a musical instrument, with the invention of live electronics providing traditional instruments, such as the violin or piano, with new, unimagined sonic possibilities. The SWR Experimentalstudio in Freiburg, Germany, has been a primary catalyst in the development of live-electronic music, enabling influential composers such as Karlheinz Stockhausen, Pierre Boulez, John Cage, Luigi Nono, Mark Andre, Georg Friedrich Haas and Chaya Czernowin to create milestones of music history. Today, almost 50 years after its founding, the SWR Experimentalstudio remains a world leader in music technology research and contemporary music creation.

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Stand: 11.07.2020
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Horse Racing and Rock 'N' Roll
15,94 € *
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Four Books in OneBOOK ONE: A fading middle-aged country music singer's home on a Tennessee pig farm burns. The man relocates to Austin, Texas, where he finds a live music scene playing a new kind of country. The legendary Armadillo World Headquarters embraces him and then Jerry Wexler discovers him. The musician holds a picnic, grows his hair long, and forever changes the sound of country music. Thanks to the Armadillo.BOOK TWO: The live music scene in Austin blossoms as local and national artists collaborate. Springsteen, The Clash, ZZ Top, and the Grateful Dead find success and fans in the Texas Capital. Readers are taken on a club crawl highlighting the hippy, punk, blues, rock convergence and the era of Lance Armstrong.BOOK THREE: Eccentric filmmakers and musicians create a 3rd Coast in Austin. Board games and Michael Dell lead to the Electronic Arts world of interactive. City officials recognize live music as an industry and four guys give birth to the annual South by Southwest festival. [should it be Electronic Arts' ?]BOOK FOUR: A young woman brings a notorious Englishman to town and they establish the Manor Downs Horse Racetrack and Concert Facility. She then finds a wild Irishman who helps her launch the career of local blues guitar ace, Stevie Ray Vaughan. Meanwhile an assortment of visitors stream through the Downs, from Mick Jagger to John Connally and Wavy Gravy.

Anbieter: buecher
Stand: 11.07.2020
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