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Karlheinz Stockhausen and the genesis of electr...
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Karlheinz Stockhausen and the genesis of electronic music ab 12.99 € als pdf eBook: . Aus dem Bereich: eBooks,

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Karlheinz Stockhausen and the genesis of electr...
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Karlheinz Stockhausen and the genesis of electronic music ab 13.99 € als Taschenbuch: 1. Auflage.. Aus dem Bereich: Bücher, English, International, Gebundene Ausgaben,

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Live Electronics im / in the SWR Experimentalst...
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Zwei zentrale Ereignisse haben die Musikgeschichte bedeutend geprägt: die Erfindung der Notation und die Entwicklung der elektronischen Musik. Mit Beginn dieser wurden neue Musikinstrumente wie das Theremin, die E-Gitarre und der Synthesizer kreiert. Durch die Digitalisierung ist auch der Computer zum Musikinstrument geworden, und die Erfindung der Live-Elektronik verlieh auch tradierten Instrumenten wie Geige oder Klavier neue elektronischeFlügel. Das Freiburger SWR Experimentalstudio hat diese Entwicklung entscheidend geprägt, da in diesem Karlheinz Stockhausen, Pierre Boulez, John Cage und Luigi Nono Meilensteine der Musikgeschichte komponiert haben. Heute schreiben unter anderen Mark Andre, Georg Friedrich Haas und ChayaCzernowin diese bald 50 Jahre währende Entwicklungsgeschichte weiter.Das Experimentalstudio gilt als einer der innovativsten wie erfolgreichsten Klangkörper der aktuellen Musik.Two events in music history had revolutionary consequences: the creation of notation and the invention of electronic sound. The initial stages of electronicmusic brought about new musical instruments like the theremin, the electric guitar and the synthesizer. In the digital age, the computer has itself become a musical instrument, with the invention of live electronics providing traditional instruments, such as the violin or piano, with new, unimagined sonic possibilities. The SWR Experimentalstudio in Freiburg, Germany, has been a primary catalyst in the development of live-electronic music, enabling influential composers such as Karlheinz Stockhausen, Pierre Boulez, John Cage, Luigi Nono, Mark Andre, Georg Friedrich Haas and Chaya Czernowin to create milestones of music history. Today, almost 50 years after its founding, the SWR Experimentalstudio remains a world leader in music technology research and contemporary music creation.

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Live Electronics im / in the SWR Experimentalst...
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Zwei zentrale Ereignisse haben die Musikgeschichte bedeutend geprägt: die Erfindung der Notation und die Entwicklung der elektronischen Musik. Mit Beginn dieser wurden neue Musikinstrumente wie das Theremin, die E-Gitarre und der Synthesizer kreiert. Durch die Digitalisierung ist auch der Computer zum Musikinstrument geworden, und die Erfindung der Live-Elektronik verlieh auch tradierten Instrumenten wie Geige oder Klavier neue elektronischeFlügel. Das Freiburger SWR Experimentalstudio hat diese Entwicklung entscheidend geprägt, da in diesem Karlheinz Stockhausen, Pierre Boulez, John Cage und Luigi Nono Meilensteine der Musikgeschichte komponiert haben. Heute schreiben unter anderen Mark Andre, Georg Friedrich Haas und ChayaCzernowin diese bald 50 Jahre währende Entwicklungsgeschichte weiter.Das Experimentalstudio gilt als einer der innovativsten wie erfolgreichsten Klangkörper der aktuellen Musik.Two events in music history had revolutionary consequences: the creation of notation and the invention of electronic sound. The initial stages of electronicmusic brought about new musical instruments like the theremin, the electric guitar and the synthesizer. In the digital age, the computer has itself become a musical instrument, with the invention of live electronics providing traditional instruments, such as the violin or piano, with new, unimagined sonic possibilities. The SWR Experimentalstudio in Freiburg, Germany, has been a primary catalyst in the development of live-electronic music, enabling influential composers such as Karlheinz Stockhausen, Pierre Boulez, John Cage, Luigi Nono, Mark Andre, Georg Friedrich Haas and Chaya Czernowin to create milestones of music history. Today, almost 50 years after its founding, the SWR Experimentalstudio remains a world leader in music technology research and contemporary music creation.

Anbieter: buecher
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Modern Music and After (eBook, PDF)
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Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.

Anbieter: buecher
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Modern Music and After (eBook, PDF)
19,81 € *
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Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.

Anbieter: buecher
Stand: 11.07.2020
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Karlheinz Stockhausen and the genesis of electr...
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Karlheinz Stockhausen and the genesis of electronic music ab 13.99 EURO 1. Auflage.

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Karlheinz Stockhausen and the genesis of electr...
12,99 € *
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Karlheinz Stockhausen and the genesis of electronic music ab 12.99 EURO

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Karlheinz Stockhausen
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Karlheinz Stockhausen (22 August 1928 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45, Harvey 1975b, 705, Hopkins 1972, 33, Klein 1968, 117) but also controversial (Power 1990, 30) composers of the twentieth and early twenty-first centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, and later studied with Olivier Messiaen in Paris, and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular-music artists. His works, composed over a period of nearly sixty years, eschew traditional forms.

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