George W. Truett (May 6, 1867 - July 7, 1944) was an American clergyman who was the pastor of the First Baptist Church of Dallas, TX, from 1897 until 1944, and the president of the Southern Baptist Convention from 1927 to 1929. He became one of the most famous Southern Baptist preachers and writers of his era. William Ashley "Billy" Sunday (November 19, 1862 - November 6, 1935) was a popular outfielder in baseball's National League from 1883 to 1890, who later became the most celebrated and influential American evangelist during the first two decades of the 20th century. Known for his colloquial sermons and frenetic delivery, Sunday held campaigns in America's largest cities and attracted the largest crowds of any evangelist before the advent of electronic sound systems. In addition, Sunday was a strong supporter of Prohibition, and his preaching likely played a role in the adoption of the 18th Amendment in 1919. Charles McCallon Alexander (1867-1920), a native of Tennessee, studied at Maryville University and eventually became a professor of music. After attending the Moody Bible Institute from 1892 to 1894, he became a popular gospel singer who toured with RA Torry and, later, John W. Chapman to launch the "Chapman-Alexander Simultaneous Campaign". 1. Language: English. Narrator: Billy Sunday, George W. Truett, Charles M. Alexander. Audio sample: http://samples.audible.de/bk/live/000547/bk_live_000547_sample.mp3. Digital audiobook in aax.
Die bekannte frz DJ und Produzentin mit einem furiosem Comeback nach vier Jahren Pause! Mit einem Remix von Innervisions-Mastermind DIXON!nnDie bekannte frz DJ und Produzentin mit einem furiosem Comeback nach vier Jahren Pause! Mit einem Remix von Innervisions-Mastermind DIXON! The Dawn signs the great return of Chloé! After 4 years of absence as a producer, this new 12 announces the release of her third album planned for the fall 2017. Dixon s powerful remix will delight all Panoramabar lovers and will make you dance all weekend long! Sounding the promise of long days ahead and late nights to follow with its opening salvos, Chloé s The Dawn heralds the return of the Paris-based DJ and producer, and a new dawn in her ever-evolving career. Indeed, The Dawn is her inaugural release on her own label Lumière Noire, which she recently set up as a separate entity after using the name for a collection of releases over the last few months, and of course for her infamous Rex Club night, which has since 2014 become a bit of a club house for Parisian electronic music fans. Operating Lumière Noire as a fully-fledged label will enable Chloé to release a new full-length album (of which The Dawn is the lead single) sometime in the next few months. Over the ten-plus minutes of The Dawn, a spoken-word track languishes over melodic washes in a dramatic progression that evokes a novel, or noir-ish cinema a method that the producer has taken a shine to since Take Care . This cultivation of the strange and the beautiful has become her calling card, putting her in a league with likeminded producers, who take the basic tenets of techno and inject them with their own singular poetic visions. A visual-arts analogue could be found in Noémie Goudal s photographs which grace the EP s cover as they will Chloé s upcoming releases. New Release Information This stirring aesthetic gives The Dawn a slightly cerebral dimension, which is taken to new depths by Dixon s stubbornly technoid remix. The Berlin-based whiz kid, who has over the last few years risen to the top of the international electronic music scene, inverts Chloé s light-drenched, full-bodied production into a tense, captivating chiaroscuro. The Dawn can also be explored via the CHLOÉ X IRCAM V2: The Dawn Interactive Mix installation, which embodies Chloé s music as an intimate interactive experience. It is one of the first offshoots of a constantly mutating collaboration between Chloé and the IRCAM Institution (www.ircam.fr/) that began in 2015. TRACKS: A. The Dawn (Original Mix) B. The Dawn (Dixon Remix)
High Quality Content by WIKIPEDIA articles! New Romanticism was a youth fashion movement that peaked in the United Kingdom during the early 1980s. Originally often associated with the electronic/synthpop music scene that had become popular at that time, it has seen several revivals since then, and continues to influence popular culture. Developing in London nightclubs such as Billy's and The Blitz, the movement was associated with bands such as Visage, Adam and the Ants, Ultravox, Duran Duran, Human League and Spandau Ballet. Brian Eno and Roxy Music were also influences. The term New Romantic was coined by Richard James Burgess in an interview with reference to Spandau Ballet.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Alcides Emigdio Lanza (born 2 June 1929) is a Canadian composer, conductor, pianist, and music educator of Argentinian birth. He became a naturalized Canadian citizen in 1976. As both a composer and performer he is known as an exponent of contemporary classical music and avant-garde music. His works often utilize a combination of traditional and unusual instruments, and incorporate electronic sounds and extensions. He is also known for using special lighting effects when presenting his music. Many of his compositions are published by Boosey & Hawkes, and Lanza himself owns his own publishing company, Shelan Editions. He is an associate of the Canadian Music Centre and a member of the Canadian League of Composers.