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Pink Noises: Women on Electronic Music and Sound
24,99 € *
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A collection of twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and performance artists.

Anbieter: buecher
Stand: 21.02.2020
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Alive AG Visa CD Ambient
17,18 € *
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Vladislav Delays (a.k.a. Luomo) erstes Ambient Album seit 10 Jahren entstand wegen Einreiseverbot für US-Tour, so konnte er hochinspiriert an Visa arbeiten.Vladislav Delay' (a.k.a. Luomo) erstes Ambient Album seit 10 Jahren entstand, weil man ihm Einreise für eine US-Tour verweigerte und er stattdessen hochinspiriert an Visa arbeiten konnte. Sasu Ripatti is one of electronic music's most prolific and eclectic producers. Throughout the last two decades Ripatti has explored every imaginable genre with over 20 albums under aliases such as Luomo and Sistol. A classically trained percussionist, the Finnish native has also performed as a part of the Moritz Von Oswald Trio and his own Vladislav Delay Quartet. He returns now under his Vladislav Delay. Visa' was a product of pure happenstance. In early 2014, Ripatti was denied entry to the United States and was forced to cancel an entire tour. Suddenly left with unhindered time and a surplus of creative energy, he was able to give birth to the album in a span of only two weeks. Ripatti describes this time as a moment in which a valve broke open... and I collected what came out the pipes. 'Visa is Ripatti's first foray into ambient music in over ten years, yet it is not simply passive background music. Rather it is an active entity, a soundscape built from textured layers of evocative industrial noises and dream-like melodic loops. Clocking in at just under an hour and made almost entirely with analog hardware, the album was designed to be listened to at high volume and in full detail. Beatless and void of percussion, Visa's five cuts challenge the listener to follow Ripatti on his journey through time and musical machinery. TRACKS: 1.Visaton 2.Viaton 3.Viisari 4.Vihollinen 5.Viimeinen

Anbieter: Dodax
Stand: 21.02.2020
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Nasty Noises
49,00 € *
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''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers

Anbieter: Dodax
Stand: 21.02.2020
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Alive AG Perspective Tech house CD Saalbach, Jonas
13,03 € *
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Das zweite Album des Berliners überzeugt durch ehrlich klingenden Techno, durchdrungen von starken Bässen, anmutigen Instrumentierungen und verträumten Melodiennn Ehrlich klingende Techno-Musik, durchdrungen von starken Bässen, anmutigen Instrumentierungen und verträumten Melodien mit diesen Attributen beschreibt der Berliner Jonas Saalbach seine Produktionen. Auf dem Hamburger Label Einmusika Recordings erschien seine 3-Track-EP Lost und auch sein zweites Album Perspective. The future can be near or far away. Love can be tactile or beyond reach. This sound comes out from the window straight across the street - or is it just in your mind? It s all a question of your perspective. Is something right or wrong, is it near or far, is it peaceful or not? Jonas Saalbach likes to play with all those possibilities. With his new album he tries to catch the perspectives of electronic music. Sometimes wild and free like in Aerial Perspective , sometimes controlled like in Herzsprung . After his debut album Ancient Lake , the Berlin based producer is bringing a versatile mixture for the club and for the festival season. Wide open soundspaces and long lasting melodies building the ground for something special. It s upon your perspective, if this one is a journey through the electronic music history or a fiction of the upcoming sound of the season. Pull On The Strings feat Morina Miconnet is one of those special tracks, you can enjoy in the car while driving to the ocean or drive deep into the vibes on the dancefloor. Let s Play With Birds and get an idea of passion and energy in perfect collaboration. So intense and cosmic - a typical Jonas Saalbach tune with a unique signature. The perspective on Nightwalk feat Amber Long can be different. You can dance to a dark and moody track or find warm and organic synths playing. Bonnie has a tight clap from the very beginning and it brings you a balanced mixture of bleeps and noises, overlined by a mystic synth part. There is so much more to discover on this beautiful collection. Let us take you on a trip to the moon with Nomads . Starting so calm and bringing you second by second to a restless journey. Are you still watching the earth from above? Or is your perspective different? TRACKS: 01. Aerial Perspective 06:58 02. Herzsprung (ft. Solok) 06:32 03. The Painter Next Door 07:07 04. Pull On The Strings (ft. Morina Miconnet) 04:27 05. Play With Birds 06:23 06. Tarim (ft. Solok) 07:57 07. Nightwalk (ft. Hacker & Miethig, Amber Long) 06:47 08. Fruehling (ft. Philipp Kempnich) 06:36 09. Bonnie 07:06 10. Nomads 05:08

Anbieter: Dodax
Stand: 21.02.2020
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Nasty Noises
82,90 CHF *
ggf. zzgl. Versand

''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers

Anbieter: Orell Fuessli CH
Stand: 21.02.2020
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Noise in and as Music
47,90 CHF *
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One hundred years after Luigi Russolos The Art of Noises, this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The books focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material -- as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pámies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question interview -- what is noise (music) to you? and why do you make it? -- by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay.

Anbieter: Orell Fuessli CH
Stand: 21.02.2020
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Nasty Noises
62,99 € *
ggf. zzgl. Versand

''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers

Anbieter: Thalia AT
Stand: 21.02.2020
Zum Angebot
Noise in and as Music
34,99 € *
ggf. zzgl. Versand

One hundred years after Luigi Russolos The Art of Noises, this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The books focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material -- as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pámies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question interview -- what is noise (music) to you? and why do you make it? -- by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay.

Anbieter: Thalia AT
Stand: 21.02.2020
Zum Angebot
Pink Noises: Women on Electronic Music and Sound
26,99 € *
ggf. zzgl. Versand

Features twenty-four interviews with women sound artists and electronic musicians, including club and radio DJs, re-mixers, composers, improvisers, instrument builders, and performance artists. This book offers a critical introduction, and the resources for the research and technological engagement.

Anbieter: Thalia AT
Stand: 21.02.2020
Zum Angebot